This is Spinal Tap (1984)

This Is Spinal Tap Review takes Born to Watch somewhere few podcasts dare to go: backstage with Britain's loudest band, where amplifiers go to eleven, drummers have an alarming mortality rate, Stonehenge has serious measurement issues, and a beautiful piano composition can somehow be called “Lick My Love Pump”.

Whitey, Damo and Dan are back to revisit Rob Reiner's 1984 mockumentary masterpiece, This Is Spinal Tap, a movie that barely made a ripple when it first arrived but went on to become one of the most influential comedies ever made. More than four decades later, the question is simple: is Spinal Tap still funny, or has the volume finally been turned down?

For Whitey, the film has grown with every viewing. Watching it as a teenager meant missing half the jokes, but coming back to it years later reveals just how clever the movie really is. Damo is firmly aboard the Tap train, while Dan comes into this one having seen plenty of famous scenes over the years without previously sitting through the whole film from start to finish.

That gives us the perfect mix for a Born to Watch review.

The boys dive into what made This Is Spinal Tap so revolutionary. Rob Reiner, Christopher Guest, Michael McKean and Harry Shearer created something that looks and sounds so much like a genuine rock documentary that audiences could be forgiven for wondering whether Spinal Tap was actually real.

And that is where the genius lives.

There are no desperate punchlines or actors screaming at the audience to tell them where the joke is. The characters play everything completely straight. The stupidity is delivered with total sincerity, whether Nigel Tufnel is protecting a guitar that cannot even be looked at, Derek Smalls is calmly navigating another band catastrophe, or David St. Hubbins is watching his musical empire slowly fall apart.

Then there are the moments that have become comedy folklore.

• Stonehenge.
• The amps that go to eleven.
• “Lick My Love Pump”.
• Smell the Glove.
• The constantly changing drummers.
• Getting hopelessly lost backstage.
• And some very questionable objects stuffed inside some extremely tight trousers.

The boys pick apart their favourite scenes, with Dan loving the absurd brilliance of "Lick My Love Pump", Damo championing Nigel's priceless guitar collection scene, and Whitey finding himself laughing harder at the film than he ever has before.

But this episode goes well beyond simply quoting the classics.

The crew ask whether This Is Spinal Tap became the blueprint for the mockumentary format that followed. Would shows such as The Office and countless other mockumentary films and television series have existed in quite the same way without Reiner and the Tap boys showing everyone how it could be done?

There is also plenty of love for the supporting cast and cameos. Billy Crystal, Dana Carvey, Fran Drescher, Fred Willard, Bruno Kirby, Paul Shaffer and Anjelica Huston all enter the conversation as the boys realise just how much talent is scattered throughout the film.

Naturally, the episode also explores Spinal Tap's extraordinary musical history. The band's fictional back catalogue might contain some of the greatest album titles never released by a real band, from Intravenous DeMilo and Shark Sandwich to Smell the Glove, Silent but Deadly and the magnificent Bent for the Rent.

Then it is time for all the regular Born to Watch madness.

The Good, the Bad and the Ugly digs into what still works, what might require multiple watches to truly appreciate, and whether there is actually much "ugly" to complain about. The boys agree this movie is packed with jokes that are incredibly easy to miss the first time around, making repeat viewings almost essential.

There is also Question Time, Quick Fire, Film School for F-Wits, plenty of musical detours and, naturally, another Kick Arse Credit Song from Dan.

More than 40 years after its release, This Is Spinal Tap remains one of those rare comedies whose influence has become almost bigger than the movie itself. Its jokes have entered everyday language, its characters feel strangely believable, and its commitment to playing absolute stupidity completely straight remains almost impossible to replicate.

So grab your guitar, prepare the miniature Stonehenge, sniff the feedbag and make sure your amplifier has that all-important extra number.

Because Born to Watch is turning this episode up to eleven.

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