June 30, 2026

The Crow (1994)

The Crow (1994)
The Crow (1994)
Born To Watch - A Movie Podcast
The Crow (1994)
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The Crow (1994) Review is finally here, and the Born to Watch boys are diving headfirst into one of the most iconic cult films of the 1990s. Directed by Australian filmmaker Alex Proyas and forever linked to the tragic death of Brandon Lee during production, The Crow has become far more than just another comic book adaptation. It's a film surrounded by myth, emotion and an unforgettable soundtrack, but does the movie itself still deserve its legendary reputation?

Whitey is joined by Gow, Damo and returning fan favourite Adam "Strangles" Strang as they revisit the dark, rain-soaked streets of Detroit to find out whether Eric Draven's tale of love, revenge and redemption still flies more than three decades later.

From the opening scene, the boys tackle the elephant in the room. Has The Crow become more famous because of Brandon Lee's tragic passing than because of the movie itself? It's a question that sparks one of the episode's biggest debates as they separate the film from the legend surrounding it.

There is no denying the visual impact. Alex Proyas creates one of cinema's most distinctive gothic worlds, drenched in perpetual darkness, flickering fire and endless rain. Whitey argues it could be one of the best-looking films of the decade, while the panel discusses whether the relentless black colour palette enhances the atmosphere or simply makes it impossible to see what's happening half the time.

Brandon Lee delivers a performance filled with charisma, physicality and vulnerability as Eric Draven, a murdered musician brought back from the dead by a mysterious crow to seek revenge on the gang responsible for killing him and his fiancée. Along the way, the boys question the film's mythology, wonder why so little is explained about the supernatural rules and debate whether audiences are expected to simply accept everything without asking questions.

The laughs continue as the conversation drifts into grandad slippers, Skippy, Video Ezy memories, terrible engagement rings, goth fashion, VHS collections and one of Damo's most detailed Snorbs Reports yet. As always, no tangent is off limits.

The cast also comes under the microscope. Michael Wincott's gloriously over-the-top Top Dollar, Ernie Hudson's compassionate Sergeant Albrecht and the unforgettable David Patrick Kelly all receive plenty of love, while the panel reflects on Brandon Lee's short but promising career and imagines what Hollywood might have looked like had tragedy never struck.

As the discussion unfolds, comparisons are made to other revenge classics, including John Wick, The Warriors and Darkman, while Whitey questions whether the film spends enough time developing its central love story for audiences to truly care about Eric's mission.

The boys also explore the incredible year that was 1994, discussing how The Crow stacked up against cinematic heavyweights like Pulp Fiction, Forrest Gump, The Shawshank Redemption, Speed and The Lion King. It's another reminder of just how stacked one of Hollywood's greatest years really was.

Of course, it wouldn't be Born to Watch without the regular favourites. IMDb ratings, Rotten Tomatoes scores, box office numbers, Question Time, the Snorbs Report, hilarious listener interaction and plenty of brutal honesty all feature as the team works towards the all-important final verdict.

So, does The Crow still deserve its place among the greatest cult movies ever made? Has its reputation been elevated by tragedy, or is it genuinely one of the defining films of the 1990s? Join Whitey, Gow, Damo and Strangles as they break down every crow, every quote and every questionable fashion choice in another laugh-out-loud episode of Born to Watch.

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If you love movies, nostalgia and four mates who aren't afraid to call out the good, the bad and the downright ridiculous, make sure you subscribe to Born to Watch wherever you get your podcasts.
Follow us on social media, join the conversation, and let us know whether The Crow deserves its cult-classic status or if the legend has outgrown the film itself.

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